Eu am inceput sa ascult jazz dupa ce tata mi-a aruncat in mana o carte "Jazz-ul,o poveste despre negrii".Fenomenala cartea o recomand tuturor indiferent ca asculta jazz sau sunt doar curiosi ce e cu acest curent.Se pot gasi o graaaaamada de informati foarte interesante(structruri de sub curente info despre artisti etc).
Peace Out!
P.S.:am ramas blocat cand am aflat ca termenul de "Cats"(cantareti de hip-hop) vine din jazz unde insemna cantareti de jazz
JAZZ
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E.On Lockz
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JAZZ/GOSPEL/BLUES side of The Grammy's
Gospel Performance: "Victory," Yolanda Adams.
Gospel Song: "Imagine Me," Kirk Franklin (Kirk Franklin).
Rock or Rap Gospel Album: "Turn Around," Jonny Lang.
Pop/Contemporary Gospel Album: "Wherever You Are," Third Day.
Southern, Country, or Bluegrass Gospel Album: "Glory Train," Randy Travis.
Traditional Gospel Album: "Alive in South Africa," Israel and New Breed.
Contemporary R&B Gospel Album: "Hero," Kirk Franklin.
Traditional Blues Album: "Risin' With the Blues," Ike Turner.
Contemporary Blues Album: "After the Rain," Irma Thomas.
Contemporary Jazz Album: "The Hidden Land," Bela Fleck and the Flecktones.
Jazz Instrumental Solo: "Some Skunk Funk," Michael Brecker.
Jazz Instrumental Album, Individual or Group: "The Ultimate Adventure," Chick Corea.
Large Jazz Ensemble Album: "Some Skunk Funk," Randy Brecker With Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio.
Latin Jazz Album: "Simpatico," the Brian Lynch/Eddie Palmieri Project.
Jazz Vocal Album: "Turned to Blue," Nancy Wilson.
Gospel Performance: "Victory," Yolanda Adams.
Gospel Song: "Imagine Me," Kirk Franklin (Kirk Franklin).
Rock or Rap Gospel Album: "Turn Around," Jonny Lang.
Pop/Contemporary Gospel Album: "Wherever You Are," Third Day.
Southern, Country, or Bluegrass Gospel Album: "Glory Train," Randy Travis.
Traditional Gospel Album: "Alive in South Africa," Israel and New Breed.
Contemporary R&B Gospel Album: "Hero," Kirk Franklin.
Traditional Blues Album: "Risin' With the Blues," Ike Turner.
Contemporary Blues Album: "After the Rain," Irma Thomas.
Contemporary Jazz Album: "The Hidden Land," Bela Fleck and the Flecktones.
Jazz Instrumental Solo: "Some Skunk Funk," Michael Brecker.
Jazz Instrumental Album, Individual or Group: "The Ultimate Adventure," Chick Corea.
Large Jazz Ensemble Album: "Some Skunk Funk," Randy Brecker With Michael Brecker, Jim Beard, Will Lee, Peter Erskine, Marcio.
Latin Jazz Album: "Simpatico," the Brian Lynch/Eddie Palmieri Project.
Jazz Vocal Album: "Turned to Blue," Nancy Wilson.
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Kremlin
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E.On_Lockz wrote:Eu am inceput sa ascult jazz dupa ce tata mi-a aruncat in mana o carte "Jazz-ul,o poveste despre negrii".Fenomenala cartea o recomand tuturor indiferent ca asculta jazz sau sunt doar curiosi ce e cu acest curent.Se pot gasi o graaaaamada de informati foarte interesante(structruri de sub curente info despre artisti etc).
Peace Out!
P.S.:am ramas blocat cand am aflat ca termenul de "Cats"(cantareti de hip-hop) vine din jazz unde insemna cantareti de jazz
bai,tu esti nebun???
acu 5 sec am vrut sa intru p topic sa intreb de carte...mi`am dat comanda acu ceva zile si sper sa vina ... nu stiam exact contzinutu dar se pare k n`am facut nici o greseala in a comanda`o 
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E.On Lockz
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sadclown
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Did you know?
Billie "Lady Day" Holiday was working for Columbia Records in the late 1930s when she was introduced to a song entitled "Strange Fruit." The song was originally a poem written by Abel Meeropol, a Jewish schoolteacher from the Bronx. Meeropol penned the lyrics after seeing a photo of a black man who had been lynched.
Having set the poem to music, Meeropol began performing the song - which Holiday eventually heard and was moved by.
Holiday performed the song at Cafe Society in 1939, a move that by her own admission left her fearful of retaliation.
The song's lyrics contrasted the pastoral scenes of the South with the ugliness of racist violence - a combination that caused listeners to face the reality of lynching.
"The first time I sang it," she said "I thought it was a mistake. There wasn't even a patter of applause when I finished. Then a lone person began to clap nervously. Then suddenly everyone was clapping."
Holiday immediately recognized the impact of the song on audiences and insisted that she close all of her shows with it.
Just as the song was about to begin, waiters would stop serving, the lights in the club would be turned off, and a single pin spotlight would illuminate Holiday on stage.
During the musical introduction, Holiday would stand with her eyes closed, as if she were evoking a prayer.
"Strange Fruit" was ultimately to become the anthem of the anti-lynching movement. The dark imagery of the lyrics struck a chord, and has been said to have planted one of the first seeds of the civil rights movement.
I thought this was interesting...
Billie "Lady Day" Holiday was working for Columbia Records in the late 1930s when she was introduced to a song entitled "Strange Fruit." The song was originally a poem written by Abel Meeropol, a Jewish schoolteacher from the Bronx. Meeropol penned the lyrics after seeing a photo of a black man who had been lynched.
Having set the poem to music, Meeropol began performing the song - which Holiday eventually heard and was moved by.
Holiday performed the song at Cafe Society in 1939, a move that by her own admission left her fearful of retaliation.
The song's lyrics contrasted the pastoral scenes of the South with the ugliness of racist violence - a combination that caused listeners to face the reality of lynching.
"The first time I sang it," she said "I thought it was a mistake. There wasn't even a patter of applause when I finished. Then a lone person began to clap nervously. Then suddenly everyone was clapping."
Holiday immediately recognized the impact of the song on audiences and insisted that she close all of her shows with it.
Just as the song was about to begin, waiters would stop serving, the lights in the club would be turned off, and a single pin spotlight would illuminate Holiday on stage.
During the musical introduction, Holiday would stand with her eyes closed, as if she were evoking a prayer.
"Strange Fruit" was ultimately to become the anthem of the anti-lynching movement. The dark imagery of the lyrics struck a chord, and has been said to have planted one of the first seeds of the civil rights movement.
I thought this was interesting...
duceti-va in pastele mamii voastre
http://genencretzite.blogspot.com/
http://genencretzite.blogspot.com/
Sibiu Jazz Festival 2007
5-13 mai 2007 Sibiu
line-up:
Jan Garbarek, Archie Shepp, Chico Freeman, Julio Barreto, Zbigniew Namyslowski, Manu Katche, Dee Dee Bridgewater, Herbie Kopf sau Vienna Art Orchestra
* more >> http://www.jadd.ro/index.php?cap=40&pag=24 << *
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sadclown
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Bebop Overview with Phil Schaap
http://www.veotag.com/jalc/player.aspx? ... 432522FFBD}
enjoy
later edit:nush de ce nu imi arata tot link-ul inroshit.dati si voi copy paste
http://www.veotag.com/jalc/player.aspx? ... 432522FFBD}
enjoy
later edit:nush de ce nu imi arata tot link-ul inroshit.dati si voi copy paste
duceti-va in pastele mamii voastre
http://genencretzite.blogspot.com/
http://genencretzite.blogspot.com/
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sadclown
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duceti-va in pastele mamii voastre
http://genencretzite.blogspot.com/
http://genencretzite.blogspot.com/
Start pentru editia 2008 a Bucharest International Jazz Competition
30 de trupe din 25 de tari, scene alternative, jam sessions si workshopuri: au inceput inscrierile pentru urmatoarea editie a Bucharest International Jazz Competition, ce va avea loc in mai 2008. Potrivit unui comunicat al organizatorilor, jmEvents.ro, evenimentul lansat cu succes in 2007 isi propune sa contribuie la recunoasterea valorilor jazz-ului romanesc si international.
Muzicienii - trupe si vocalisti cu varsta pana la 32 ani, isi vor disputa premiile de 15.000 Euro, constand in bani si concerte, precum si distinctiile de „cea mai buna trupa” si “cel mai bun vocalist”. Inscrierile sunt deschise pana pe 10 februarie 2008.
Ideea organizarii unui concurs de jazz in Bucuresti a venit ca o intampinare a asteptarilor publicului roman si a nevoii de alternative la muzica facila sau conventionala. De altfel, concursul se dovedeste a fi o manifestare singulara in peisajul jazz-ului profesionist din SE Europei.
Evenimentul se desfasoara in cadrul Festivalului International EUROPAfest, care in 2008 va sarbatori 15 ani de existenta. Festivalul cuprinde o intreaga serie de evenimente muzicale - concerte electrizante de jazz, blues si pop, caffe festival si concursul international de muzica clasica pentru flaut, clarinet si compozitie.
you just never know when you're living in a golden age.
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ego.scenic
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Irina Sarbu
o voce distincta a Jazz-ului romanesc
http://www.irinasarbu.ro/page.php?id_pgc=5
o voce distincta a Jazz-ului romanesc
downloadM-am nascut la Bucuresti pe 25 iulie 1983 intr-o zi frumoasa de vara. Poate de aceea iubesc marea si caldura...si inghetata de vanilie
La 5 ani am inceput sa studiez pianul la Scoala generala de muzica nr. 5 din Bucuresti cu profesoara Raluca Gander si am continuat cu Cristian Dumitrescu.
Am avut o copilarie frumoasa alaturi de sora mea Ana (care e violonista, in prezent stabilita in SUA). Zilele de vacanta se imparteau intre diminetile in care studiam la instrument si dupa-amiezile in care ne jucam in gradina bunicilor din Cluj.
La 7 ani am intrat in clasa a I-a la Scoala generala nr. 19 din Bucuresti. In paralel studiam si pianul. Toti copiii ma cicaleau ca nu am timp de joaca pentru ca mereu trebuia sa "studiez la pian". In clasa a V-a m-am mutat la liceul bilingv "George Cosbuc" din Bucuresti unde am invatat foarte bine limba engleza. In clasa a VI-a am intrat in corul de fete Voces Primavera dirijat de maestrul Negulescu cu care am facut si cateva turnee in tara si in strainatate. In toti acesti ani am continuat pianul in paralel cu scoala. A fost un efort destul de mare dar astazi stiu ca a meritat! In clasa a IX-a am intrat la Liceul de muzica "George Enescu" la clasa de pian a profesoarei Gabriela Enasescu unde am absolvit (cu atestat) in anul 2002.
Vacanta a trecut si a urmat admiterea la facultate. Am hotarat sa dau la UNATC sectia actorie. Am intrat. Iata-ma in toamna anului 2002 studenta in anul I la teatru! Anii de facultate au fost minunati dar, din pacate, au trecut foarte repede. Am ramas cu amintiri placute si cu foarte multi prieteni buni.
In iunie 2006 am absolvit la clasa profesor George Ivascu / coordonator de an Doru Ana, cu musicalul "Cele doua orfeline" regizat de George Ivascu. Rolul meu a fost Maestrul de ceremonii. Spectacolul s-a jucat la teatrul Casandra din Bucuresti o stagiune si a obtinut Premiul pentru cel mai bun spectacol la Gala UNATC 2006. Cu acest rol am obtinut Premiul special al juriului la Gala Studenteasca UNATC 2006 si Premiul pentru debut la Festivalul National de Comedie de la Galati in acelasi an, in septembrie.
In prezent colaborez cu mai multe teatre din Bucuresti (Tetarul Bulandra, Teatrul National de Opereta, teatrul Metropolis) precum si cu Teatrul Natioal din Craiova.
Recent am intrat la clasa de masterat actorie a domnului Gelu Colceag.
Acum sa va povestesc cum am ajuns sa cant jazz:
La liceul de muzica am fost colega de clasa cu pianistul si compozitorul Andrei Tudor care imi este un foarte bun prieten si acum. "Ascult jazz" spunea el purtand toata ziua castile pe urechi. Nu prea stiam nimic despre aceasta muzica asa ca nu i-am dat, la inceput, mare importanta. Totusi, curioasa, l-am rugat sa imi dea si mie sa ascult ca sa vad ce ii place atat de mult si din clipa aceea m-am indragostit de JAZZ!
In clasa a XII-a, fara nici o pregatire vocala, am inceput sa cant alaturi de el in duo, voce si pian. Mai tarziu am inceput sa iau lectii de canto cu o profesoara minunata, doamna Liana Podlovschi.
Am debutat in cadrul emisiunii Povestiri din Studioul Artelor a Radiodifuziunii Romane in decembrie 2002. Au urmat o serie de recitaluri si concerte in Bucuresti si in tara.
Prima confirmare a venit in 2004 cand am primit Premiul pentru debut la Gala Premiilor Jazz pe anul 2003.
In scurt timp am inceput sa cunosc instrumentisti de jazz (si nu numai) cu care cant si astazi. Puiu Pascu, Marius Mihalache, Marius Popp, Sorin Romanescu, Sorin Terinte, Mircea Tiberia, Petrica Andrei, Arthur Balogh, Pedro Negrescu, Virgil Popescu, Eugen Nichiteanu, Ciprian si Tudor Parghel sunt doar cativa care au contribuit la formarea mea ca artist.
Am cantat in multe cluburi din Bucuresti si din Romania precum si numeroase Festivaluri Nationale si Internationale. Toate, experiente minunate pentru mine! In iulie 2006 am fost invitata sa sustin doua concerte in Grecia alaturi de Priamos Morakis Quartet.
Marea mea bucurie a fost ca in vara anului 2003 am intalnit-o pe Anca Parghel care imi este si acum profesoara si de la care am invatat enorm!
Norocul a facu sa il intalnesc si pe Marius Mihalache care a avut incredere in mine si care mi-a propus sa scoatem un album impreuna. Acest lucru m-a bucurat enorm! Pentru mine Marius este un artist desavarsit de la care am foarte multe de invatat si cu care imi face mare placere sa cant.
Am fost intrebata candva cum am reusit sa fac atat de multe in atat de putin timp. Cu multa dragoste, daruire, ambitie...si un pic de noroc
http://www.irinasarbu.ro/page.php?id_pgc=5
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ego.scenic
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![[img=http://img709.imageshack.us/img709/2521/p119631050.jpg]](http://img709.imageshack.us/i/p119631050.jpg/){kind=link}
nu stiu decat de cel cu a.g weinberg
The Sound of America
Duminica, 18 Noiembrie 2007, ora 19:30
Sala Palatului
ELITE ART ENTERTAINMENT va propune un CONCERT EVENIMENT –"SOUND of AMERICA" cu program integral american: jazz, pop, blues, evergreenuri - toate in variantele orchestrale originale. Adresandu-se tuturor varstelor si avandu-i protagonisti pe 2 mari artisti romani ce au cucerit deopotriva publicul din Statele Unite si Romania, concertul beneficiaza de aportul Bucharest Big Band – condusa de Ionel Tudor - orchestra de elita a scenei muzicale romanesti.
Aura Urziceanu
http://eliteart-entertainment.com/aura-urziceanu.htm
Bucharest Big Band
http://www.youtube.com/watch?v=Tr2PEsUtKLw
A.G.Weinberger
www.agwenberger.com
Pret / bilet
Categoria 1:70 RON
Categoria 2:50 RON
Categoria 3:35 RON
The Sound of America
Duminica, 18 Noiembrie 2007, ora 19:30
Sala Palatului
ELITE ART ENTERTAINMENT va propune un CONCERT EVENIMENT –"SOUND of AMERICA" cu program integral american: jazz, pop, blues, evergreenuri - toate in variantele orchestrale originale. Adresandu-se tuturor varstelor si avandu-i protagonisti pe 2 mari artisti romani ce au cucerit deopotriva publicul din Statele Unite si Romania, concertul beneficiaza de aportul Bucharest Big Band – condusa de Ionel Tudor - orchestra de elita a scenei muzicale romanesti.
Aura Urziceanu
http://eliteart-entertainment.com/aura-urziceanu.htm
Bucharest Big Band
http://www.youtube.com/watch?v=Tr2PEsUtKLw
A.G.Weinberger
www.agwenberger.com
Pret / bilet
Categoria 1:70 RON
Categoria 2:50 RON
Categoria 3:35 RON
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ego.scenic
- un domn / doamna
- Posts: 52
- Joined: Sun Oct 01, 2006 12:51 pm
- Location: in film....dupa promo..